MIKE CHAVEZ
2007 screen print & acrylic on canvas 137x137cm (54"x54") SOLD
2007 screen print & acrylic on canvas 137x137cm (54"x54") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22")
2007 screen print & acrylic on canvas 122x122cm (48"x48") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 122x122cm (48"x48")
2007 screen print & acrylic on canvas 102x102cm (40"x40") SOLD
2007 screen print & acrylic on canvas 137x137cm (54"x54") SOLD
2007 screen print, spray paint & acrylic on canvas 102x102cm (40"x40") SOLD
2007 screen print & acrylic on canvas 102x102cm (40"x40") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 56x56cm (22"x22") SOLD
2007 screen print & acrylic on canvas 122x122cm (48"x48") SOLD
2007 screen print, spray paint & acrylic on canvas 170x170cm (67"x67") SOLD
2007 screen print & acrylic on canvas 122x137cm (48"x54") SOLD
2007 screen print, spray paint & acrylic on canvas 122x167cm (48"x65") SOLD
50 Years in Hollywood
I see myself as a visual hip-hop DJ, sampling obscure images and layering them over funky break beats: tattooed head-hunters, turntablists, rap stars, water buffalo and boxing champs are all thrown into the mix - a visual feast celebrating 400 years of Filipino history. The title of the show is borrowed from a Filipino expression, “300 years in a convent, 50 years in Hollywood” referring to three centuries of Spanish rule followed by five decades under U.S. administration.This series examines cultural identity, colonial baggage and a collective yearning for a lost golden age, as well as issues of globalization and the Filipino diaspora.The work is informed by a post-graffiti, comic book sensibility which was developed during my time working as an animator in Los Angeles – figuratively speaking, my 50 years in Hollywood.